Mockingjay (The Final Book of The Hunger Games) [Kindle Edition]

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Against all odds, Katniss Everdeen has survived the Hunger Games twice. But now that she's made against each other with the bloody arena alive, she's still not safe. The Capitol is angry. The Capitol wants revenge. Who will they think should pay for that unrest? Katniss. And what's worse, President Snow has caused it to be clear that nobody else is safe either. Not Katniss's family, not her friends, not the folks of District 12. Powerful and haunting, this thrilling final installment of Suzanne Collins's groundbreaking The Hunger Games trilogy promises to get one in the most talked about books with the year.
A Q&A with Suzanne Collins, Author of Mockingjay (The Final Book of The Hunger Games)
Q: You have said from the start that The Hunger Games story was intended like a trilogy. Did it genuinely end the best way you planned it from the beginning?

A: Very much so. While Some know every detail, of course, the arc with the story from gladiator game, to revolution, to war, for the eventual outcome remained constant through the writing process.

Q: We understand you worked on the initial screenplay for a film to be according to The Hunger Games. What is the biggest difference between writing a novel and writing a screenplay?

A: There are several significant differences. Time, for starters. When you are adapting a novel right into a two-hour movie you simply can't take everything with you. The story has to be condensed to fit the brand new form. Then you have the question of how best to take a novel told inside the first person and offer tense and transform it right into a satisfying dramatic experience. In the novel, you never leave Katniss for a second and so are privy to all of her thoughts so you'll need a way to dramatize her inner world and to make it possible for other characters to exist outside her company. Finally, there's the challenge of how you can present the violence while still maintaining a PG-13 rating in order that your core audience can view it. A lot of situations are acceptable over a page that couldn't survive on the screen. So how certain moments are depicted may ultimately be inside director's hands.

Q: Are you currently capable to consider future projects while working on The Hunger Games, or are you immersed inside the world you get lucky and be currently creating so fully that it is just too challenging to consider new ideas?

A: We have a few seeds of ideas going swimming in my head but--given a good deal of of my focus is still on The Hunger Games--it will probably be awhile before one fully emerges i can begin to develop it.

Q: The Hunger Games is a yearly televised event in which one boy the other girl from each from the twelve districts is expected to participate in a fight-to-the-death on live TV. What do you imagine the benefit of reality television is--to both kids and adults?

A: Well, they're often create as games and, like sporting events, there's an desire for seeing who wins. The contestants are usually unknown, which ensures they are relatable. Sometimes they've got very talented people performing. Then you have the voyeuristic thrill—watching people being humiliated, or taken to tears, or suffering physically--which I've found very disturbing. There's also the potential for desensitizing the audience, to ensure after they see real tragedy playing out on, say, the news, this doesn't happen possess the impact it should.

Q: In case you were instructed to compete inside the Hunger Games, what can you think that your skill would be?

A: Hiding. I'd be scaling those trees like Katniss and Rue. Since I accustomed to be trained in sword-fighting, I guess my best hope could be to acquire hold of the rapier if there was one available. But the reality is I'd probably get in relation to a four in Training.

Q: What does one hope readers can come away with once they read The Hunger Games trilogy?

A: Questions about how elements from the books may be relevant inside their own lives. And, when they are disturbing, what you might do about them.

Q: What were some of the favorite novels when you're a teen?

A: A Tree Grows in Brooklyn by Betty Smith
The Heart Is a Lonely Hunter by Carson McCullers
Nineteen Eighty Four by George Orwell
Anna Karenina by Leo Tolstoy
Slaughterhouse-Five by Kurt Vonnegut
A Wrinkle in Time by Madeleine L’Engle
Lord from the Flies by William Golding
Boris by Jaapter Haar
Germinal by Emile Zola
Dandelion Wine by Ray Bradbury
(Photo © Cap Pryor)


Gr 7 Up–The final installment of Suzanne Collins's trilogy sets Katniss in a more Hunger Game, but this time it can be for world control. While it is a clever twist around the original plot, it means that there's less focus on the individual characters and much more on political intrigue and large scale destruction. That said, Carolyn McCormick is constantly on the breathe life in to a less vibrant Katniss by showing her despair both at those she feels responsible for killing and and at her own motives and choices. This is an older, wiser, sadder, and intensely reluctant heroine, torn between revenge and compassion. McCormick captures these conflicts by changing the pitch and pacing of Katniss's voice. Katniss is both a pawn with the rebels along with the victim of President Snow, who uses Peeta to attempt to control Katniss. Peeta's struggles are well evidenced as part of his voice, which goes from rage to puzzlement to an unsure resume sweetness. McCormick also makes all the secondary characters—some malevolent, others benevolent, and many confused—very real with distinct voices and agendas/concerns. She acts like an outside chronicler in giving listeners just “the facts” but in addition respects the individuality and different challenges of each one with the main characters. A successful completion of a monumental series.–Edith Ching, University of Maryland, College Parkα(c) Copyright 2010. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.